Andrey Ostashov • Special Issue, 2019 Bronze, granite. 82?38, h=91cm
This work bears a compositional resemblance to the sculpture Tying the Skates, though while that piece carries a festive winter motif, here one senses a vernal blossoming. The subject, on one hand, evokes an extraterrestrial being, yet on the other, she possesses an innate natural quality—like a nymph embodying the earth’s awakening after the winter chill. Despite the title Spring Mood, which typically suggests a joyful and warm impression of the season’s arrival, that specific sentiment is absent here. The girl is seated upon a curious elevation, her legs stretched forward and her hands resting upon her knees; her facial expression is pensive, tinged with a touch of sadness or reverie. She is attired in a high-necked, full-length dress that accentuates her face. The artist has given her hair a fantastical form, as if it were a natural extension of her body. That very "spring mood" is conveyed through her posture—there is a palpable sense of lightness and freedom, as if the young nymph has paused to bask in the warm spring sun, and the master has captured her in this dreamlike moment.
Technique: Sculpture
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